2013; edited in June 2016
The difference between "LAM ELISA" and "Elisa Lam" may be an Illuminati story to report on:
The CDC has announced that there is an outbreak of tuberculosis in Los Angeles. The test used to detect TB in humans is called LAM-ELISA.
Weeks before this outbreak was announced, a Canadian tourist named Elisa Lam went missing in Los Angeles. Her decomposing body has since been discovered in a Los Angeles hotel's rooftop water container after hotel guests complained about foul-smelling, foul-tasting, and darkened water.
The Hotel Cecil, where Elisa Lam's body was found, is located adjacent to Los Angeles' skid row, the same area where the TB breakout is believed to have originated.
What's more is the following video shows Elisa Lam acting suspiciously in an elevator prior to her disappearance and death. [see here for your choice]
And, as of this moment, the coroner has not yet been able to determine the cause of Elisa Lam's death, nor has the CDC been able to pinpoint the origin of the TB scare.
EDIT: Elisa Lam went missing weeks before the outbreak, not days. She was last seen on 2013/1/31.
I wanted to know whether "LAM ELISA" was coined at this time to reflect Elisa's name in particular, or whether it was an older phrase. Here's from a 2005 article:
A direct antigen-capture ELISA based on the detection of mycobacterial lipoarabinomannan (LAM) in unprocessed urine was evaluated for its usefulness in clinical practice. In Tanzania, 231 patients with suspected pulmonary tuberculosis (TB) and 103 healthy volunteers were screened with standard TB tests and with the new LAM-ELISA. Of 132 patients with confirmed pulmonary mycobacterial disease (positive sputum culture), 106 were positive using the LAM-ELISA (sensitivity 80.3%).
The Centre for Tuberculosis Research is at the University of British Columbia. Elisa Lam went missing while a student at University of British Colombia. That deserves some attention.
The Hotel Cecil, where she was found dead, is just a few blocks from where the spread of tuberculosis has risen sharply, but the disease wasn't an issue until AFTER the last time Elisa was seen on or about January 31 (she wasn't found officially until Feb. 19). "The days following the discovery of her body, several newspapers reported about an outbreak of a resistant strain of tuberculoses amongst the homeless in downtown L.A. The CDC (Centre Decease Control) has been approached to help keep the sudden outbreak under control."
One possibility: some freaks at the University of BC, wielding political friends in lunatic-globalist / Illuminati high places, got this idea, from her name, to send Elisa Lam to infect the homeless people of Los Angeles to conduct a test on how to eradicate homeless people my murder without being caught. In the process, Elisa Lam was murdered, and hidden in a water tank atop "her" hotel roof.
That's a drastic explanation, I know, but there have been reports to be taken seriously concerning "population-control" methods being kicked around by the heartless side of our superiors, involving fixed murders in one way or another. If they can profit medically by treating terminally-ill patients, all the better in their eyes.
The University has verified that she attended there last summer, meaning that there really ought to be an Elisa Lam. Apparently, she was murdered, unless she went into the tank for a quick dip, and was unable to get back out. I don't buy that at all. It becomes clear that Elisa was murdered in such a way as to pattern a movie theme:
[Elisa Lam's] death is eerily similar to the movie, "Dark Water", a Japanese horror movie where an elevator and the death of an Asian girl who drowned in a watercistern on top of an apartment building, play a crucial role. The movie was remade for an American audience in 2005, starring Jennifer Connelly.
Here's the date of her elevator video: "Lam did not ride the elevator, however--it went on to other floors empty. According to a timeline published by CTV News, that footage was taken February 1, the day Lam was to have checked out of the hotel."
If CTV was fed the correct date of February 1, her elevator video must have been taped past midnight. She can be seen in the video as though trying to hide from someone. At first, probably due to the murder that was likely effected on that same night, I thought that she was trying to hide from her pursuer. But after closely investigating the video for two days, I came to believe what I had initially rejected from the opinion of others: that she was playing hide-and-seek, sort of, with a friend, or a trusted newly-acquired companion.
She stayed on the fourth floor, according to reports, but the video is able to locate her on the 14th floor. She doesn't have her purse, meaning that she was coming from her room. She was visiting the 14th floor, and there was a friend in a room down the hall of the 14th, or, perhaps, this friend, who I'll assume to be a male, was speaking with someone down the hall. She was expecting him back at any moment, being playful about his return, at one point thinking to jump out at him/her with a boo-type surprise. Here's the four minute version, the Elisa Lam video:
My take is that Elisa had come from the door of the room where her friend was, and that she was preparing the elevator for their descent down to her room at 12:22 am. She was amusing herself in the hall while waiting. She clearly arranged the elevator to be on hold, which is the key for knowing that she was not trying to run away from a pursuer.
The 14th floor is where, some three decades ago, a serial killer killed. Some reports say that her very reason for visiting this hotel was to visit the 14th floor for that reason, but may be someone merely injecting more drama into her mystery. However, this Hotel Cecil is now infamous for entertaining satanic types. It reminds of the song, Hotel California, "you can check in but you can never leave."
As she steps into the elevator for the first time, she's not hectic, not tired from running, not appearing fearful. She walks on too normal for what we are yet to see. She bends over so that we can see the floor buttons, and pushes five of them for reasons that not even Sherlock Holmes can figure, as well as one other button. Four button lights go on, not five, telling us that the button for the floor she was on was pressed, which was the button that didn't light. Why would she press that button, and, if she wants to go anywhere specific, why press that many buttons?? Something's being cooked up.
After pressing the buttons, she does not press the door-close button, though the viewer doesn't know this at first. This is how we know she was not seeking to get away from a pursuer. Standing normal and upright after pressing the buttons, it can appear to the viewer that she's waiting for the door to close. She does not leave for the stairs like someone in fright, believing that the elevator door has malfunctioned. She takes a rapid lunge to the door, and a fast peek out the door to see if anyone's coming down the hall in either direction, which can give the viewer the impression that she fears someone, especially as she then retreats into the particular corner of the elevator that's best for hiding from someone who happens to walk by the open door. But as further events unfold, it becomes clear that she is not in fear, but rather playful, which makes the scene schizophrenic, as if two stories are being told at once. She can then be interpreted, while standing in the corner, as one who wants to do a boo-moment on her friend (I'll call it a male). But he doesn't appear, and all the while the viewer thinks he's the murderer.
She seems to be keeping a sexually-playful attitude, though childlike too. She then goes into the hall, standing with back to the camera. She quickly comes to the conclusion that he's not coming fast enough, shows a little impatience, but hangs in there. She then slips off to the side mainly out of camera view; online data includes a photo of an oval mirror on the wall directly in front of her but out of camera view. Before and after the 1:20 point of the video timer, she has hands in her hair while viewing the mirror. There is nothing abnormal about any of this, being well after business hours, and pertaining to a young woman not far from her childhood. However, while the things she does can be classified within normal behavior, her actions do not seem natural. It's as though she's acting to send the viewer messages. But who is the viewer?
I did not, on the first day of watching this video over and over again, think that she was playing. With the murder ever before my mind, I was absolutely sure that she was trying to escape her murderer, and I was simultaneously trying to explain why she didn't go use the stairs after the elevator door wouldn't close. Fortunately, I came by the photo below revealing that Elisa pressed the door-hold button, which holds the door open by a timer for a minute, maybe two. This photo is reportedly a close-up of the button panel in the elevator that she was in. At the end of the long-version video, when the door is closed, the button panel becomes visible enough to make out that this photo is accurately reflecting the same. As you can see, the top button, the only one of the five not to light up, is the one for the 14th floor.
It's a very good question to ask why the end of the video has a clearer picture? It suggests that the rest of the video, with her in it, was given to the public at lower quality. Why would the police do that?
She comes into the elevator again, throwing up her arms in some form of disappointment, as though impatient for having to wait yet longer, and she presses the buttons several times with some inexplicable passion, as though wrestling with them. This goes on far-too long for this to be her adult side at its best. The end-game seems to be to press the door-hold button again, to re-set it before its time has expired, yet the pressing of the other buttons too many times, and once again at the middle buttons, seems to have a message for the viewer. But who is the viewer, the man in the hotel lobby or office? It can't be the public, can it? Was this Elisa Lam, or an actress? We might choose to assume that it's Elisa, because the parents haven't denied it.
She walks out the elevator again, and seems to be taken up with delight (look closely at her face) as she sees her friend(s) to her right. She appears to be acting jolly, hoping to make the other(s) connect with it, but, before long, even her dance, or whatever it is, goes back to something on the unhappy side, when she walks away from view, and never comes back. When she's counting to about four on her fingers, she looks like she's protesting / arguing something.
At the 2:28 point, she walks out of camera view to the left of the door, and does not return in the next 30 seconds (youtube time), afterwhich the elevator door closes, now three minutes (youtube time) after the start of the video. He never shows up in the elevator camera. But later, as I continue the investigation, I learn that as many as three people may have walked by the elevator camera before the door closed. Say what? You'll see.
Tones on the wall change, not smoothly or gradually, but in certain quantities. You can see this when the door either opens or closes. Every time Elisa walks into the elevator, the wall darkens by a quantity, as she blocks some elevator light from reaching the wall. Every time she walks out, the wall lightens by the same quantity. The wall also darkens when she stands outside the elevator's left side, meaning that she blocks some hall light upon that wall. If she had walked far from that spot when we no longer see her, we would expect the wall to lighten a shade, yet it does not, suggesting that she's standing just outside the elevator all that time, right up until the door closes. Why does she let the door close? We didn't see her go toward her friend(s).
At first, it seemed fairly convenient that the murderer was someone with the key to the roof door, or someone who knew an accomplice with a key to the roof door: "...'There is an alarm and a locked door to gain access to the roof. It's not clear how she would have gained access to the roof by herself. Had she done so, the tanks themselves are not locked,' reporter Tom Walters told CTV's Canada AM Wednesday."
But then we learn that there may have been an accessible fire escape (stairway) that the killer may have used to carry Elisa to the roof: "Law enforcement sources told the Times that a locked door and fire escape are the only ways to access the hotel's roof. The door, which only employees can reach, is also equipped with an alarm that notifies hotel staff if someone is up there."
One blogger (Chinese, I think) shares from news articles:
According CNN, LA Times reporting, Police believe that one of the hotel staff is very suspicion. At the same time, Los Angeles coroner believes the Elisa death time was on the 1st of Feb (the day after her missing) without injury...
...Police already locked on a staff [member] in the hotel as the most suspicion suspect, Media did not disclosed the name of the staff, but an informant who understand the hotel status stated, the reason police locked on that staff, is because during Elisa stay in the hotel, he was the one get hold of Elisa's room key, theoretically he could enter to Elisa's Room any time he wanted, with a lot of chance of crime. LA Police interviewed many staff of the hotel after the incident, after a series of investigation, and finally locked on that staff of being most suspicious.
According to the hotel...The other door is a fire escape that connected with security alarm; any forceful entry will activate the alarm. If the killer doesn't understand [i.e. isn't familiar with] the hotel area, is will be difficult to drop Elisa's body into the tank.
The finger started to point to staff / management / ownership. The murderer(s) would have had an advantage in having access to her room to take out her belongings, leaving the room behind as though she had checked out normally...so as not to alert the cleaning people of something being wrong. Her clothes were found along with her in the water tank, yet she was nude. None of the clothing had slipped off her body due to the extended time in the tank; she was thrown in without clothing, and the clothes were tossed in to hide evidence of foul play. It is said that she died by drowning, but the police became very suspect so that any official report cannot be trusted. The police tried to wash this away as her suicide, wherefore the drowning report from the "expert" is half predictable.
The police have claimed that they know a man who had the key to her room, but this could have been a false statement to deflect guilt from someone in the hotel. "Police say they've collected some of Lam's belongings...", which in itself doesn't necessarily mean that some of her belongings were found in her room; the police could be referring to her clothes from the tank, as well as her watch. It's a big deal whether her belongings were left, or not left, in her room at check-out time.
The killer(s) would need to evade people and camera proof when taking her body to the roof, and one advantageous way would be to get her onto the 14th floor first, near the roof, all the better if it's in the middle of the night. The situation demands a strangling, gagging, or knock out blow as soon as possible to keep her from screaming. I'm sorry for her, deeply sorry. But if she was nude and raped, how did they keep her from screaming? Is there another explanation for her nudity? Is there such a thing as a satanic ritual requiring a nude woman?
Online statement: "Lopez said there are no security cameras on the roof." If there was one camera or more on the way to the roof, and if this camera retained footage for more than 19 days, then either the police (Canadian police would be involved) have seen the killer(s) on tape but haven't yet charged anyone, or the hotel manager / owner(s) had arranged for the camera's to show no evidence. If the killers were from the hotel, they likely had means to tamper with the cameras; otherwise, they would be foolish to cross paths with a camera while carrying the dead body. If the murder was planned by people at the hotel, they would have incorporated a plan beforehand to deal with the camera(s). They may have become good at this from prior practice.
The coincidences of this murder reflecting the theme in Dark Water could mean that the murder was planned for that effect, though another explanation becomes feasible: that murders of multiple people over the years, while incorporating the roof water tanks, had been repeated perhaps to the point of routine. The young girl in the Dark Water movie who falls and drowns into a water tank, at the top of the apartment building, is Natasha, which essentially spells "satan" backward. Natasha was murdered by the apartment's staff worker, and dropped into the tank. The dead Natasha appears as a ghost to another young girl, CECILia, who has moved into an apartment directly below the one that Natasha had lived in before her murder. Can this suggest that young girls have repeatedly been victims at Hotel CECIL?
As "Cecilia" is highly reflective of the Hotel Cecil, it is to be expected that Elisa Lam was not the first murder victim in the water tanks at Hotel Cecil. We could expect at least one other similar murder before 2005. One may also figure that someone(s) in the production of Dark Water, the 2005 version, was privy to, and proud of, the murder(s), and couldn't resist from advertising it (through the movie).
A theme of the movie is dark water coming from the faucets as a result of the rotting corpse, but there is also the peculiarity of a malfunctioning elevator. It begs the question of whether the Elisa Lam was merely playing for the camera, as part of a sick joke. I've toyed with that idea, yet the way that I've explained her behavior above seems compelling; she was waiting for her lover, not acting for the elevator camera. Yet she seems to have been in the grasp of a dark crowd of actor types.
As you can see, the button panel in the video is hard to make out, and perhaps it shouldn't be with modern-quality video. Perhaps the police (not all of them, of course) were banking on no one being able to discover that the lady in the video hit the door-hold button, by which I mean to say that the producers of the elevator video were hoping to make the public believe that there was an elevator malfunction. In that case, Elisa had to be in-on-it. Was Elisa knowingly acting as though trying to escape a murderer, and in the end, murdered frightfully in cold blood while playfully acting her part? It makes me want to thunder with anger. When the elevator door suddenly closes and descends to other floors, there is an eerie feel, of course. Did the directors have her press the other buttons so that this eerie feel would be conveyed to the public?
I don't want to get overly carried away by asking the questions and presenting the possibilities. It's not likely that the same hotel could drop too many women into tanks of water. What would happen to their bones? Would they dissolve over a year's time? Two years? I don't know.
In a city like Los Angeles, it is not to be wholly discounted that both the police chief and the owner(s) of Hotel Cecil might be satanists. A false-flag event can be defined in various ways, and has come to mean what it didn't originally. It's a conspiracy between deceivers putting on a "reality show," where actors are needed on the stage of life. An event is faked, but "faked" may include real murder. The deceivers put out certain signs to indicate to insiders that it's just a production, not a natural event. You can imagine the framers of these productions taking pride in the cleverness involved, which is why they're deluded.
In this case, "Elisa Lam" can be viewed as one sign, with the malfunctioning elevator, the body in the water tank, and "Cecilia" being others. There is also the report circulating from CNN that a British couple (Baugh surname), staying in Hotel Cecil for over a week in February, witnessed black water repeatedly from the taps for a couple of seconds before clearing up. However, it is highly unlikely, if the taps are used daily, that black water should pour out for only a couple of seconds, only to clear up. I don't think that a plumber could explain such a thing. A softening black rubber washer at the tap can't explain it.
If the pipe water is clear aside from the water adjacent to the tap, it would take many days for any black substance floating in the water to precipitate to the tap in order to cause a couple of seconds of "black" (they didn't say red, brown or yellow) water. "'The shower was awful,' [Sabrina Baugh] continued. 'When you turned the tap on, the water was coming black first for two seconds and then it was going back to normal.'" Yet, they were in the hotel room for eight days, not allowing the time needed for significant precipitation of black material. Besides, if they had black water, others must have had it too. Where are the others who had black water? In other words, the people who reported the black water may be privy to the murder, or, at least, may have recognized that the murder was a deliberate repeat of what the Dark Water movie "advertises." The Baughs appear to be in the outer circle if not in the inner circle.
The Baugh/Bach surname was a topic in the update from which one can arrive to this page. In that update, I had written a section on that Bach bloodline just a day or two before starting on this chapter. I had been stressing Baugh-like surnames for weeks (prior to that update) as being from the human-sacrifice cult of Boofima as it translated into Baphomet in Bavaria, where I link Baughs to Bogens, Bowers, and Bauers. The latter gave birth to the Rothschild banking empire (the first Rothschild had a Bauer surname), said by many to have deep involvement with satanists.
Lord Rothschild in London, in relation to WW1, was close to the known satanist, Arthur Balfour, prime minister of Britain. I happened to trace Boofima cultists to the Roth-like Roet surname, but this was years before realizing the Roets had Balfour-line kin. The most-important Roet bloodline comes from John of Gaunt, the founder of the royal line of Lancaster, who married Catherine Roet. I read that a heraldic Catherine wheel was a symbol of torture, and Catherine Roet, wife of John of Gaunt, is known to own the heraldic Catherine wheel, i.e. named after her. While one can see plainly that "Roet" (like roto = wheel) was the reason for the wheel symbol, we need to ask why they chose a torture wheel rather than just a plain cartwheel.
Both Reeds and Roets use a book as part of their heraldic symbols, simply meaning that Roets were a branch of Reeds or vice versa. And while I know these books to be code for the Book surname, note how houseofnames.com includes the Boggs as part of the Books, a surname much like "Baugh." Moreover, while "Baugh" can be pronounced "boff," like "BOOFima," it's known that the direct family of Catherine Roet was also the BEAUForts. Books/Boggs share the red stag head with Reeds. The family connections are unmistakable.
I didn't realize for some years after expressing these things to readers that the Balfour surname lists a Balford/Balfort variation that can be gleaned as a branch of Beauforts. For example, BEAUmonts are a branch of BELmonts. Thus, Balfours (share a black-on-white chevron with Books/Boggs) were descended, likely, from Roet stock, and were a branch of Beauforts and/or Books/Boggs / Baughs / Boeffs / Boeufs / Bows and ultimately Bowers and Bauers.
I can tell you that the boar heads of the Roets traces via the same of Gords to mythical Gorlois, the father, more or less of mythical king Arthur, symbol for a satanic cult that evolved into the naming of the Round Table Illuminati of CECIL RHODES. The latter was part-and-parcel with Rothschild and Balfour satanism unto world domination. Gords, Speers and Roets share gold-on-blue heads, a symbol probably borrowed ultimately from Catherine Roet's other husband (SWYNford surname), and Gords were first found in the same place (Berwickshire) as Books and Arthurs. Irish Arthurs not only use the symbols of Wayne's, but Wayne's use GAUNTlet gloves as code for the John-Gaunt bloodline. SWYNfords use boar heads, and SWANs/Sions once showed gauntlet gloves (now show falconer's gloves), and then this 2015 article on Elisa Lam is written by Jennifer Swan:
After ten years of gathering heraldic clues as to what's been important in bloodline-loving Templar history, as it arrives to modern Rothschild globalism, I could go on and on with this line of teaching for pages and pages, but will try to be brief before coming back to topic. Baphomet is the known god of the Templars, and while the first Templar grand master was Hugh de Payens, Catherine Roet was a daughter of Payne Roet.
Also: "Bernard Diaz, 89, who has lived at the Cecil for 32 years, told the LA Times that he heard a 'tremendous' racket on his floor above him the night Lam disappeared. He said the floor also experience flooding that night." I doubt very much that the floor above him experienced flooding that night, because it just so happens that in the movie, Dark Water, Cecilia's mother is killed when her apartment is flooded by water due to the things pertaining to the floor above her. "Reportedly, Lam was staying on the fourth floor, one floor above Bernard Diaz's room. Diaz also mentioned that there was flooding on the fourth floor the day after Lam went missing, stating that there was 'some obstruction to the drain between the third and fourth floor.'" What a coincidence.
Just a thought, since there's no use keeping it to myself when it may just be true: it sounds like the long-time tenant, Bernard Diaz, may have been privy to the ritual murders at Hotel Cecil, and that he may be spouting off his knowledge and involvement by echoing the codes, from Dark Water, understood by other insiders. It seems like a 50-50 under the circumstances. Maybe yes, maybe no. I've read many articles writing this chapter over a week's time, and can't recall a party from the hotel offering some form of statement to the news people aside from the Baughs and Bernard Diaz.
It occurred to me that, just as "Super Committee and the Fiscal Cliff" was code, so might "false flag" itself be code for the Fallis and Flag surnames (branches?). I first reported on the code work involved in "Super Committee and the Fiscal Cliff" in the 4th update of last November. It was easily deciphered as code for the Conte/Comites, Super/Soper, Fisk and Cliff surnames. I kid you not, that while writing above, when the idea occurred that "false flag" may itself have been code for two surnames, I had not yet viewed the Connelly Coat, although it was my intension because the star of Dark Water was Jennifer Connelly.
Therefore, but what coincidences are these: 1) the Connelly Coat uses an engrailed black-on-white saltire cross (satanic colors), the colors of the engrailed Super/Soper saltire cross; 2) both saltires have white symbols, but the Connelly saltire has white-on-black scallops, the colors of the same in the Flag/Flack Coat; 3) another black-on-white saltire is used by the Dark surname; 4) Dark Water was directed by a Salles surname using an engrailed bar in the colors of the saltires above. I smell rats.
The reason that "Super Committee" can be gleaned as code in-part for the Supers is that the surname uses a version of the black-on-white engrailed cross of Sinclairs who show a "Commit" motto term. It is a fact that Herluin de CONTEville married the mother of the Conqueror Sinclair, but then both the Conte's and Ville's were first found in Languedoc, allowing the possibility that the two merged to form, "Conteville." The French Conte surname shows a Comites variation, you see.
The Conan Coat is the Sinclair cross exactly, while "Conan" suggests kinship with Connellys and Conte's. Cone's, first found in the same place (Kent) as Darks, share the three antlers with, in colors reversed from, the English Conte's/Comitisa's. The Dark Crest is a strongarm, which you can see in this Arms of Rothschild. Darks may have been Drake's and Dragons/Drainers, the latter known by myself to have been a merger with Pendragons from way back in history, long before the Templars.
The woman (Herleva) whom Herluin de Conteville married was first of all married to "the tanner" of Falaise, and while there is no Falaise surname coming up, the Fallis/Fals surname page suggests possible linkage to "Falaise," saying: "Another derivation suggests that the name is a local reference to the area of Falaise, Normandy." The Tanners share a version of one Ghent Coat while John of Gaunt was from Ghent. German Tanners use pine CONES while Pine's are also Payne-like Pyne's.
So there you have it, the evidence that criminal skull-and-boneheads in high places are behind the "false flag" codework, and moreover that they are proudly conducting, without fear of prosecution, illegal and murderous events. These people have the highest judges of the land in fear of them, and of course some, if not most of the highest judges, are partners with them in some Masonic (one-ness) ways. These groups have had centuries to infiltrate governments and courts, made all the easier in that they founded much of the Unites States to begin with.
The Fallis/Fals Coat is a version of the Feller Coat (both use thee white-on-blue treFOILs in the same positions), in the colors of the Roque/Rock rocks. For further interest, compare the Rocco and Trager Coats noting the Felltrager variation of Fellers. It's the manipulation-of-the-world Rockefellers, isn't it?
Walter Salles, the director of Dark Water, is from a banking family in South America. "Both films [by Walter Salles] were produced by veteran Arthur Cohn and had worldwide distribution." Therein we have a Cohn surname, like the Salles-related Conans and Connellys. I had learned only recently on John Kerry's real birth surname, "Kohn" (Jewish).
A funny thing happened between writing the paragraph above and the one before that. I was making a coffee and filling the sugar bowl, when I turned and saw, in front of the fridge, a black-widow-like spider dangling from a thread on the ceiling at face level two feet in front of me. It reminded me of a snap-vision I had a couple of years ago, of a large black spider laying in wait, ready to pounce on me. That spider's eight legs were paired up so as to form a saltire cross, you see. You've seen the type that have legs in that shape.
Whether or not the vision was from God, I may never know, but I took it as such, meaning that some people using the black saltire were looking for me, and that I should beware. By what coincidence did a black spider appear to me just after writing on black saltires above??? This spider had a white circular area on it's back. I have never seen one like that around here. I can't recall ever seeing, in all my life, a black spider with large white circular area on its back. As you can see, the black saltires above have white symbols.
Witchcraft is the deliberate affront to God by which some people slander Him. Witchcraft has a "holy"' day on February 1:
As with all Old Tradition observances, this holiday [of Imbolc] is usually celebrated beginning at sundown on February 1 and continuing through the day of February 2. Imbolc means in the belly of the Mother because that is where seeds are beginning to stir as it is Spring.
The page above is a watered down or "white" definition of Imbolc. You must know that the 14th floor is really the 13th, explaining why occult types would stay on the 14th floor, and why there may have been a gathering of the occult on the floor that Elisa Lam was on, on February 1:
The occult calendar is divided into four (4) segments of 13 weeks each. The number, 13, is considered divine by the occultist for a couple of reasons [I don't accept the writer's opinion on these reasons]:
... February 1 and 2 -- Candlemas and Imbolg, a.k.a. Groundhog's Day. One of the Illuminati' Human Sacrifice Nights
So, Elisa Lam, killed on February 1, was a possible human-sacrifice victim for a satanic gathering at the Hotel Cecil to celebrate Imbolc. Does this make sense? Don't go out alone on February 1 in the wrong place. Thirteen weeks after February 1/2 is May 1, holy (spit!) day of Bel. The Bavarian Illuminati was founded on May 1, 1776, during the life of Mayer Bauer, the first Rothschild. Bauers were first found in Bavaria. Scottish Bauers use the five bunched arrows of Rothschilds.
Imbolc is an event unto Brigit, and is often erroneously linked back to Christian worshipers of Brigit, but there cannot be true Christianity and Brigit together. It would be the tactic of satanists to attract Christians to satanism by giving them a white-washed form of black witchcraft. The point here is that Brigit named Brigantium on the Durance river, home of the Salyes Ligures who named the Salles surname. It has been my opinion for a few years that the Sallete/Sallett variation of the Sale/Salles surname is what gave birth to the heraldic "saltire" term. It's a version of the pirate-flag crossed-bones symbol, and Sinclairs were pirates as well as playing a leading role with the first Templars. I have been claiming (for years) that the anti-Christ and/or his main support group in the West will be from the Salyes Ligures at the root of Freemasonry.
Another peculiarity is that Huffington Post (liberal, anti-Christian slant) did a story on the missing Elisa Lam before her body was found. But wait. Many people go missing in Los Angeles, and yet Huffington Post decides to popularize this story??? Why this one? It just so happens that Huffs/Hoffs and Salles' were both first found in the same place (Cheshire), where the Masseys / Meschins lived who named "Masonry," and that both use a diagonal bar in black-on-white colors. Hmmm. You don't think that Mrs. Huffington is a fellow satanist, do you? Isn't she a social engineer for the dark side? Masseys/Maceys are a branch of Macys/Maceys using GAUNTlet gloves, and Macie's/Margys are probably using the Rothschild arrow and the Rothes/Rothchild raven. Meschins/Masculine's (share the Flag/Flack scallops) were first found in the same place as English Rothes', the latter using a version of the Salles / Huff / Cough Coats.
The next chapter has the oddities with, and manipulation of, the camera's timestamp. It's an eye-opener.
Table of Contents
Pre-Tribulation Planning for a Post-Tribulation Rapture